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It is not certain the man is blind, and Amedeo Maiuri's narrative does not speculate on blindness, though others have done so. Maiuri, once curator of the Naples Museum, suggests that the man's posture is that of a beggar. Otto Keller, writing almost 50 years before Maiuri, refers to the man as a blind beggar (blinder Bettler) and the dog as little (Hündlein). Otto Keller. Die Antike Tierwelt. Leipzig (1909).
The man is facing two women who, in my opinion but not in Keller's rendition, are watching but not clearly interacting with him. Their reaction to him may have been the dramatic focus of the painting. The scene appears to be set in a market, stalls of which are visible in the background. The man holds a walking stick far forward in his left hand, a posture that may indicate he was using it as much to find obstacles as to provide support. The leash is brownish red, probably a strip of leather, loose, and attached to what appears to be a wide collar. (The only Photoshop enhancement made to the plate posted here was to color the bottom part of the leash, which fades considerably towards the dog's neck.)
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